From "Hustlin' Blues" to "Strange Fruit"

African Musical Retentions

in the Evolution of Jazz Singing Style

circa 1920-1945

Dr. Ann G. P. Solberg and Elizabeth McQueary

Funded by the Appalachian College Association, Summer 1997

Selective Bibliography, Q-Z


BOOKS, Q-Z

Roach, Hildred.  Black American Music: Past and Present.  Malabar, FL: 
	Krieger Publishing, 1992.

Sackheim, Eric.  The Blues Line: A Collection of Blues Lyrics from 
	Leadbelly to Muddy Waters.  Hopewell, NJ: Ecco Press, 1993.

Sandburg.   The Billie Holiday Companion.  Indianapolis, IN: Macmillan 
	Publishing, 1997.

Santelli, Robert.  The Best of the Blues.  New York: Viking Penguin, 
	1997.

Scherman, Tony and Mark Rowland, eds.  The Jazz Musician.  New York: Saint 
	Martin's Press, 1994.

Schuller, Gunther.  Early Jazz: Its Roots and Musical Development.
	New York: Oxford University Press, 1968.

Schuller, Gunther.  The Swing Era: The Development of Jazz, 
	1930-1945.  New York: Oxford University Press, 1989.

Shapiro, Nat and Nat Hentoff, eds.  Hear Me Talkin' To Ya.  New
	York: Rinehart and Co., Inc., 1955.

*Shapiro, Nat and Nat Hentoff, eds.  Jazz Makers: Essays on the Greats of Jazz.  
	New York: Da Capo Press, 1979. 

Shapiro, Nat and Nat Hentoff.  The Jazz Makers.  Westport: 
	Greenwood Press, 1956, reprint, 1975.

Shaw, Arnold.  Black Popular Music: From the Spirituals, Minstrels, 
	and Ragtime to Soul, Disco, and Hip-Hop.  New York: Schirmer 
	Books, 1985.

Shaw, Arnold.  The Jazz Age.  New York: Oxford University Press, 
	1987.

Shaw, Arnold.  The World of Soul.  New York: Cowles Book Co., Inc., 
	1970.

Shaw, Artie.  The Trouble With Cinderella: An Outline of Identity.  Santa 
	Barbara, CA: Fithian Press, 1992.

Silverman, Jerry.  Folk Blues: 110 American  Folk Blues.  New York:
	Oak Publications, 1968.

Southern, Eileen.  The Music of Black Americans: A History.  3rd ed.
	New York: W.W. Norton and Co., 1983.

Spaeth, Sigmund.  A History of Popular Music in America.  New York:
	Random House, 12th ed., 1971.

Spencer, Jon M.  Blues and Evil.  TN: University of Tennessee Press,
	1993.

Springer, Robert.  Authentic Blues: Its History and Themes.  New
	York: Edwin Mellen Press, 1995.

Stearns, Marshall W.  The Story of Jazz.  New York: Oxford University Press, 
	1970.

Stewart, Rex.  Jazz Masters of the Thirties.  New York: Da Capo Press, 1982.

Stokes, W. Royal. Swing Era New York: The Jazz Photographs of Charles 
	Peterson.  Philadelphia, PA: Temple University Press,  no date.

Tanner, L.E.  Images of Jazz.  New York: Michael Friedman Publishing Group, 
	1996.

Tanner, O.W. and Maurice Gerow.  A Study of Jazz.  Dubuque: 
	Wm. C. Brown Co., 1973.

*Taylor, Frank C. and Gerald Cook  Alberta Hunter.  New York:
	McGraw-Hill, 1987. 

*Terkel, Studs.  Giants of Jazz.  New York: Thomas Y. Crowell Co., 1975

Tirro, Frank.  Jazz: A History.  New York: Norton, 1993.

Titon, Jeff Todd.  Early Downhome Blues: A Musical Cultural Analysis.  
	2nd ed.,  Chapel Hill, NC: University of North Carolina, 1995

Tracy, Steven.  Langston Hughes and the Blues.  Champaign: University of IL.
	Press, 1988.

*Travis, Dempsey J.  Autobiography of Black Jazz.  Chicago, IL: Urban 
	Research Press, 1983.

*Ullman, Michael.  Jazz Lives: Portraits in Words and Pictures.  
	Washington, DC: New Republic Books, 1980.

Vail, Ken.  Lady Day's Diary: The Life of Billie Holiday 1937-1959.  New 
	Providence, NJ: NAL Dutton, 1996

Whitcomb, Ian.  Irving Berlin and Ragtime America.  London:
	Century Hutchinson, Ltd., 1987.

Whiteford, Michael B. amd John Friedl.  The Human Portrait :
	Introduction to Cultural Anthropology.  3rd ed., Englewood 
	Cliffs, NJ: Prentice-Hall, no date.

Wilder, Alec.  American Popular Song: The Great Innovators, 
	1900-1950.  New York: Oxford University Press, 1972.

Wilmer, Valerie.  Jazz People.  New York: Da Capo Press, 1991.

Williams, Martin.  Jazz Heritage.  New York: Oxford University Press, 
	1985.

Williams, Martin.  The Art of Jazz: Essays on the Nature and
	Development of Jazz.  New York: Oxford University Press, 1959.

Williams, Martin.  The Jazz Tradition, new and rev. ed.  New York:
	Oxford University Press, 1983.

Williams, Martin.  Where's the Melody?  A Listener's Introduction to
	Jazz.  New York: Da Capo Press, 1966.

*Annotated Bibliography, Q-Z


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