From "Hustlin' Blues" to "Strange Fruit"
African Musical Retentions
in the Evolution of Jazz Singing Style
circa 1920-1945
Dr. Ann G. P. Solberg and Elizabeth McQueary
Funded by the Appalachian College Association, Summer 1997
Selective Bibliography, A-G
Albertson, Chris. Bessie. New York: Stein and Day, 1972. *Anderson, Jervis. Harlem: The Great Black Way 1900-1950. Washington DC: New Republic Book, 1980; Arnaud, Gerald and Jaques Chesnel. Masters of Jazz. New York: Larousse Kingfisher Chambers, 1992. Balliet, Whitney. American Musicians II: Seventy-One Portraits in Jazz. New York: Oxford University Press, 1996. *Balliet, Whitney. American Singers: Twenty-Seven Portraits in Song. New York: Oxford University Press, 1988. Balliett, Whitney. Improvising: Sixteen Jazz Musicians and Their Art. New York: Oxford University Press, 1977. *Balliet, Whitney. Jelly Roll, Jabbo, and Fats: 19 Portraits in Jazz. New York: Oxford University Press, 1983. Baker, Houston A. Blues, Ideology, and Afro-American Literature: A Vernacular Theory. Chicago: University of Chicago Press, 1987. Baraka, Imamu Amiri. Blues People: Negro Music in White America. New York: W. Morrow, 1963. Baraka, Imamu Amiri. The Music: Reflections on Jazz and Blues. New York: Morrow, 1987. Barlow, William. Looking Up at Down: The Emergence of Blues Culture. New York: Temple University Press, 1990. Bernal, Martin. Black Athena: The Afroasiatic Roots of Classical Civilization. New Brunswick: Rutgers University Press, 1987. *Berendt, Joachime. The Jazz Book: From Ragtime to Fusion and Beyond. New York: Lawrence Hill, 1992. Bernhardt, Clyde E. I Remember: Eighty Years of Black Entertainment, Big Bands, & the Blues. Philadelphia, PA: University of Pennsylvania Press, 1986. Berry, Mary Frances and John W. Blassingame. Long Memory: The Black Experience in America. New York: Oxford University Press, 1982. *Bourgeois, Anna Stong. Blues Woman: Profiles of 37 Early Performers with an Anthology of Lyrics, 1920-1945. Jefferson, NC: McFarland & Co., Inc., 1996. Bradley, Arthur. Silver Threads. El Paso, TX: Aplomb Publishing, 1994. Buerkle, Jack V. and Danny Barker. Bourbon Street Black: the New Orleans Black Jazzmen. New York: Oxford University Press, 1973. Carruth, Hayden. Sitting In: Selected Writings on Jazz, Blues, & Related Topics. Iowa City:University of Iowa Press, 1993. *Charters, Samuel. The Blues Makers. New York: Da Capo Press, 1991. Cherry, Gwendolyn, Ruby Thomas and Pauline Willis. Portraits In Color: The Lives of Colorful Negro Women. New York: Oageant Press, 1962. *Chilton, John Billie's Blues: Billie Holiday's Story 1933-1959. New York: Stein and Day, 1978. Clarke, Donald. Wishing on the Moon: the Life and Times of Billie Holiday. New York: Viking Penguin, 1994. Cohn, Lawrence, ed. Nothing but the Blues: The Music and Musicians. New York: Abbeville Press, 1993. *Collier, James Lincoln. Jazz: The American Theme Song. New York: Oxford University Press, 1993. Condon, Eddie and Thomas Sugrue. We Called It Music: A Generation of Jazz. New York: Da Capo Press, 1992. Cone, James H. The Spirituals and the Blues: an Interpretation. New York: Seabury Press, 1972. Cook, Bruce. Listen to the Blues. New York: Da Capo Press, 1995. *Cooper, Sarah, ed. Girls! Girls! Girls!: Essays on Women and Music. New York: New York University Press, 1996. *Crowther, Bruce and Mike Pinfold. The Jazz Singers: From Ragtime to the New Wave. New York: Sterling Publishing, 1986. *Dahl, Linda. Stormy Weather: The Music and Lives of a Century of Jazz Women. New York: Proscenium Pub. Inc., 1984. Davis, Francis. The History of the Blues: The Roots, the Music, the People-from Charley Patton to Robert Cray. New York: Hyperion, 1995. *Davis, Francis. Outcats: Jazz Composers, Instrumentalists, & Singers. New York: Oxford University Press, 1995. Dennison, Sam. Scandalize My Name: Black Imagery in American Popular Music. New York: Garland Pub., Inc., 1982. Ellison, Mary. Lyrical Protest: Black Music's Struggle Against Discrimination. New York: Craeger, 1989. Epstein, Dena J. Sinful Tunes and Spirituals: Black Folk Music to the Civil War. Urbana: University of Illinois Press, 1977. Feather, Leonard. From Satchmo to Miles. New York: Da Capo, 1987. Feather, Leonard. The Pleasures of Jazz. New York: Delta Books, 1976. Fidelman, Geoffrey M. First Lady of Song, Ella Fitzgerald: For the Record. Secaucus, NJ: Carol Publishing Group, 1994. Finn, Julio. The Bluesman: the Musical Heritage of Black Men and Women in the Americas. Northampton, MA: Interlink Publishing Group, 1992 Floyd, Samuel A. Jr. Black Music in the Harlem Renaissance: A Collection of Essays. Westport, CT: Greenwood Press, 1990. Fordham, John. Jazz. New York: D. K. Publishing, 1993. Friedwald, Will. America's Greatest Voices: from Bessie Smith to Bebop and Beyond. New York: Charles Scribner's Sons, 1990. Garm, Paul. Blues and Poetic Spirit. Roots of Jazz. New York: Da Capo Press, 1996. Garon, Paul and Beth Garon. Women with Guitar: Memphis Minnie's Blues. New York: Da Capo Press, 1992. *Giddins, Gary. Riding On A Blue Note: Jazz and American Pop. New York: Oxford U., 1981. Gitler, Ira. Jazz Masters of the 40's. New York: Macmillan and Co., 1966. Gleason, Ralph J. Celebrating the Duke: And Louis, Bessie, Billie, Bird, Carmen, Miles, Dizzy, and Other Heroes. Boston: Little Brown and Co., 1975. *Gourse, Leslie. Louis' Children: American Jazz Singers. New York: Quill, 1984. Gourse, Leslie. Swingers and Crooners: The Art of Jazz Singing. Danbury, CT: Franklin Watts Inc., 1997. Govenar, Alan. Meeting the Blues. New York: Da Capo Press, 1995. Green, Benny. The Reluctant Art: the Growth of Jazz. New York: Horizon Press, 1963. Gridley, Mark C. Jazz Styles: History & Analysis. Englewood Cliffs, NJ: Prentice Hall, 1996. *Grimes, Kitty. Jazz Voices. New York: Quartet Books, 1983. Guralnick, Peter. Feel Like Going Home: Portraits in Blues and Rock n' Roll. New York: Harper Collins Publ., 1989.
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